Searching for the Happiness within Yuri
Posted by Aorii in Analysis, Anime, Manga, tags: Aoi Hana, Candy Boy, Girl Friends, GirlxGirlxBoy, Sasameki Koto, Shoujo-ai, Sono Hanabira ni Kuchiduke wo, YuriWith Sono Hanabira ni Kuchiduke wo translated, I thought back to my fun time with Aoi Shiro and grabbed it in a flash. Well unfortunately things didn’t go as I would like— the game ended up disturbing me in under ten minutes. Why? Because this is no yuri romance story, it’s almost pure yuri H, with two really perverted girls nonetheless and probably more H text than story writing… Really, the cute title and soft color pallette fooled me. But it’s been a long time since I’ve disliked a yuri story and that got me thinking—
Most people classify yuri as a primary genre, like romance or action (as opposed to secondary/tertiary genres, like psychological, school, etc, which are more like descriptor tags). This implies it’s amongst the main reasons to watch a show, and that if you don’t love yuri then you can’t enjoy the show. To date I’m still not completely sure of this view. Yes, I’ve picked up yuri for the sake of it being yuri, but is yuri the target that I’m looking for? Or, is yuri merely a medium of delivering what I really sought? I’m reminded of what ETERNAL said:
Yuri, like all settings and devices and what have you, is simply a premise.
Maybe when I sought yuri, I’m simply looking for a really cute romance with an elegantly refined atmosphere.
So after looking back into all the yuri series I really enjoyed (and those I passed), I came up with the my three reasons for watching yuri:
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The Atmosphere
When yuri is mentioned, one of the first thoughts that usually pops to head is Marimite. Most people seems to find its elegant and tranquil mood, this speak softly and walk slowly approach, to be the defining attribute of ‘shoujo-style yuri’ (except that’s a misnomer in itself, as the yuri fandom targets males). Although this concept is often used as a backdrop to make the yuri premise more refined, thus giving it a more innocent image, I don’t really think it stays consistent with the developing mood for most yuri series. Things change, by and most, either from the relationship drama or the energetic frolicking; but that doesn’t stop us from enjoying a cup of afternoon tea or a Gokigenyo greeting.
My personal top reason for watching yuri attributes to a different mood: the cute light-hearted slice of life. The ‘this is so cute I melted’ factor is comparatively the same as the ‘this is so moe I died’ experience. So in a sense, yuri slice of life elements are on about the same wavelength as moeblob series, or ultra-fluffy shoujo series (e.g. Yumeiro Pattissere). I would definitely consider the early series fluff of Strawberry Panic similar to that of Kanon, and Saki was a perfect example of just how well yuri blends into the Moe arena.
Candy Boy stands as my favorite in this perspective, since it’s pure yuri slice of life and generate a mood which reminds me of watching K-ON. I’d love another season of this— if only yuri had been as popular as moe.
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The Romance
The yuri ghetto may really exist, and that yuri is still always told through yuri elements, but in the end girls love is still romance, pure and simple, and not some strange variation of. Just because the series is about a group of “girls who love each other too much” (Strawberry Panic will always be remembered by that line), doesn’t make it much different from your normal, straight version. Really, the characters just happened to be girls, and they just happened to fall in love with fellow girls— don’t judge them; claiming that the only appeal of shoujo-ai series is the yuri make one not much better than those who claim “anime is only for kids”.
Of course, just as seinen romance-comedy is often plagued by harems and generic males, yuri has its own problems with unrealistic love, especially how dear heterosexual social perceptions rarely make it into the minds of these characters. It’s probably the reason why I’ve rarely thought seriously about yuri, and simply laid back to enjoy the mood. It’s also why my favorite yuri series is Girl Friends, because it does go the extra mile to describe each step of how friendship gradually evolved into true love.
That being said, girls love does have a specialty atmosphere to its romance, as I’ve mentioned above. But I sure wouldn’t consider this unique to yuri: Kimi no Todoke certainly presents the exact same thing with Sawako’s innocence and Kazehaya’s moe. At the same time, neither is all yuri like that: Aoi Hana sure rolled fast into a personal drama series with all the emotional sting of one, far more about the characters rediscovering themselves through that life-changing first love experience than simply two girls fawning over each other (although plenty of that did happen).
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The Drama
In these days, just about everything have some elements of drama to spicy up the story; yuri is certainly no exception with its personal and relationship drama . But when you get down to it, how is the triangle drama of yuri (say, Aoi Hana) that different from the love polygons of heteromance/drama shows (e.g. Toradora)? I mean, you still have your close friends who pine away with their unrequited love, not wanting to reveal the truth and hurt the existing closeness between friends.
I guess if there’s one distinction, it’s that in yuri the best friends pair tends to fall in love with each other, rather than best friends falling for the same person, which is a staple in heteromance-drama. But this is more of a reliance on the tried-and-true recipes more than anything else.

Just like regular romance, sometimes it’s about discovering whom that truest important person is.
[Also, if you’re looking for a good yuri drama with a dose of social realism: GirlxGirlxBoy is a really good 1 volume short read featuring a strange but very well developed triangle. You can grab it at the Wings of Yuri site here]
Although, reminding myself of how alike yuri is to normal romance doesn’t seem to fix this sadness that the Spring 2010 season is surprisingly short of yuri. I need my seasonal yuri shipping—!!! (and normal and BL…)








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I think you pinned down what is it I love about drama.
I’d watch Candy Boy if I wasn’t a twin myself, and thus, really bothered by the premise. It’s not that it’s bad, or anything wrong with it, it’s just…awkward with my twin sitting next to me.
Must be nice to have a twin huh?
Come to think of it, I had never really considered what I wanted to see in a yuri show… Maybe it’s about time for me to use my brains while watching a specific genre xD.
@Janette: Twins… I’m jealous ;-;, but yeah, that would be really awkward
Also, the drama of the latest yuri series have really upgraded from the oldies, IMO. Sasameki Koto and Aoi Hana’s drama were both really good~
@Netto: Well, as I mentioned— it IS hard to take yuri in a serious realistic manner, given how most yuri series present it =\
Its been my experience that BL and yuri that actually do feature characters who consider the heteronormative expectations of society tend to not get adapted as anime. They are also more likely to feature adults, particularly the yuri stories — there is a lot of pressure for women to get married and start a family, after all, and so that seems to provide some fertile ground for story-writing.
So basically it’s like, this is fine as a childhood fantasy, but please don’t get the impression it’s actually okay in society, because we’re not going to air anime that features yuri/BL that actually borders on social realism.
Pressure is still there given the cultural backwardness, but last I checked it’s becoming more and more the trend to stay single for women, although that’s partially because they can’t find someone to meeting ridiculous Japanese expectations…