I didn’t quite expect Angel Beats! to hit us with the full force of Key melo­drama this early. But this ep… it was a full visual novel char­ac­ter path packed into a sin­gle episode, com­pletely with a short emo­tional roller­coaster ride. Yet despite the focus on Iwasawa’s char­ac­ter development,episode 3 skimped out on none of the other stuff: we’re treated to more Key humor (espe­cially the Miyazaki touch), another top-quality con­cert scene, and the advance­ment of a sig­nif­i­cant main plot hook: just what exactly is Angel? On top of the already ‘just what exactly is this world’?

Mag­nif­i­cent. This kind of Key work should be done more often, where Maeda Jun isn’t con­strained by the dragged-out pac­ing of your typ­i­cal Key Nakige…

Those were eyes that cursed the unfair­ness of life” — Otonashi

Iwasawa’s life story is yet another trope: the char­ac­ter with a tragic back­ground who was saved by the dis­cov­ery of music. As expected, every­one in SSS is fight­ing for some­thing they trag­i­cally lost in life, and for Iwa­sawa it was her music, which had been bru­tally ripped from her by the same despair it once saved her from. It’s a sim­ple and straight­for­ward back­ground, but the emo­tional depth of her melody, espe­cially the des­per­a­tion within, con­trasted sharply with the inspi­ra­tional Alchemy that pre­ceded it and really touched my soul with the mean­ing of her life.

At the same time, she real­ized her own call­ing and finally accepted her life to begin anew. Her sud­den dis­ap­pear­ance, in addi­tion to the emo­tional shock effect, begs the ques­tion — how many other mem­bers of the cast will accept, van­ish, and pass on before the end of the series?

This was melo­drama, musi­cally told, at its finest.

.

From the RPG per­spec­tive, we’ve picked up a new party mem­ber: Christ, whose catch­phrase was nice at start but got really annoy­ing really fast. With the class of Hacker, his spe­cial abil­ity is Pi Chant, with an attack-type of [Intel­lec­tual] and is super-effective against idiots. It appears every series with an RPG theme (e.g. ZnT, Negima, and espe­cially BakaT­est) has a party com­posed of idiots.

Their raid was also suc­cess­ful in obtain­ing infor­ma­tion on Angel’s spe­cial abil­i­ties, the Guard Skills. Yuri notes that Angel is actively devel­op­ing her skills, rather than hav­ing pre-designated hax like you expect of a video game final boss. Com­bine this with the dis­tinc­tively human emo­tions she showed dur­ing this episode, it brought out the ques­tion of just what Angel is once again: is she a self-evolving weapon-grade AI with its sen­tience becom­ing more and more human? Or was she once a spi­ral who threw away her human­ity in order to become an anti-spiral and the guardian of this dimension?

What about this entire game-like world we’re in? Is it just another one of Key’s sur­real par­al­lel worlds like the dream worlds of One and Clan­nad? Or is it more like the world of Lit­tle Busters! where the main char­ac­ter was placed in pur­pose­fully so he could become stronger and face real­ity? Is it really rein­car­na­tion once you log off like Iwa­sawa, or will he find this entire adven­ture to be an elab­o­rately planned scheme, a dream that he wakes up from?

We’ll see…

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13 Responses to “Angel Beats Episode 3: Musical Melodrama Brilliance”
  1. lelangir says:

    I loved this episode. Best con­cert scene I’ve ever seen. Liked it way more than Haruhi’s. Can’t wait for the full ver­sion of Alchemist to come out~

    • Aorii says:

      Haruhi’s con­cert was mostly fan­fare and lack­ing impact IMO. And yeah, I want the full ver­sion asap, espe­cially the lyrics!

  2. Fabrice says:

    oh wow…there goes the whole bud­get, the con­cert was just amaz­ing! This isnt even sup­posed to be a music anime yet I doubt K-ON!! will ever show a con­cert like this lol

    This is eas­ily the best episode so far, and the end­ing was pretty damn good.

    I am now start­ing enjoy­ing Angel Beats more…Iwasawa TwT
    .-= Fabrice´s last blog ..On Order: Koto­bukiya Hitagi Sen­jo­ga­hara =-.

    • Aorii says:

      If K-ON!! put melo­drama into their con­certs then it won’t be K-ON!! any­more. But given how highly antic­i­pated this piece of Key work is I think we have more bud­get to burn through o/

  3. Shin says:

    Since that’s over and done with, I hope they can allo­cate the bud­get to ani­mat­ing more sig­nif­i­cant scenes than that point­less concert.

  4. Velore says:

    Am I the only one who thought the drama was lame(Whole ‘life moments’ parts) and the episode silly? I mean, that Christ guy = Puke, plot is try­ing really hard to make any sense(But still doesn’t) etc.

    I like the show, not that I’m drop­ping it or any­thing, but it’s damn stu­pid sometimes.

    Lol nice RPG sce­nario there.
    .-= Velore´s last blog ..Angel Beats – How silly can the plot get? =-.

    • Aorii says:

      Melo­drama, not for everyone.

      Maeda Jun is try­ing to cram in so much stuff that it’s mak­ing the pac­ing weird. The stu­pid parts would be fun­nier if they weren’t dropped straight into the seri­ous parts.

  5. foshizzel says:

    Ah yes they did spend lots of ani­ma­tion money on this episode I bet, no idea whats up with that Christ kid either. Yeah I have to agree with Aorii they do jump from stu­pid crap to omg seri­ous stuff. So the girl lev­eled up?! or found the secret to leave the “game” world.
    .-= foshizzel´s last blog ..Ichiban Ushiro no Daimaou 03 Rice is won­der­ful. =-.

  6. mangoseller says:

    Thank you for this post, I watched Angel Beats! when it was air­ing and this episode is prob­a­bly my favorite episode of the series. Most of my friends thought it was bor­ing com­pared to 1 and 2, glad to see some­one who agrees with me. I think it is intended for this episode to stand out like that, as it is prob­a­bly a trib­ute to Toradora! (ep3 Your Song) because of the episode name “My Song”.

    • Aorii says:

      Well, ep1 was sheer enter­tain­ing. This one wasn’t as melo­dra­matic or mem­o­rable as some of the later eps in the series either, but it was def­i­nitely the first time when the Key-hammer really hit, imo =)

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